Kusama’s concept of obliteration finds new expression as the pristine white room is gradually covered in an accumulation of brightly colored dots, with the intention that the installation will transform during the run of the exhibition. Kusama provides a white domestic interior of sofas, tables, chairs, and everyday objects and visitors are invited to complete the work. In a radical move that connects to participatory art, Kusama created The Obliteration Room in 2002. This room merges Kusama’s Accumulations, which had previously existed as sculptural objects, into the illusion of an infinite space. Central to the exhibition is a recreation of Kusama’s original 1965, Infinity Mirror Room- Phalli’s Field, in which she displays a vast field of polka-dot covered, white tubers in a room lined with mirrors. She embraced performance in her photographic documentation and began producing films and staging Anatomic Explosions, collective happenings in New York City where she took up residence in the late 1950s. She was invited to show with the German Zero group, which had an interest in participatory installations. ![]() The 1960s were a crucial time for Kusama’s creative development. Also in the US for the first time is the recently realized Infinity Mirror Room, All the Eternal Love I Have for the Pumpkins, 2016, a field of yellow, dotted pumpkins spreading into infinity. Exuberant in color and paired with sculptures that bear titles such as My Adolescence in Bloom, they mark a striking progression in the use of Kusama’s signature symbol of the polka dot. Her most recent painting series, My Eternal Soul (2009–present), may be the greatest surprise. The exhibition features the North American debut of numerous new works. The 87-year-old artist continues to work at a brisk pace in her Tokyo studio. These key works join more than 90 works on view, including large and vibrant paintings, sculpture, works on paper, as well as rare archival materials. ![]() Visitors can immerse themselves in five of these kaleidoscopic environments where the viewer is endlessly reflected within fantastic landscapes-alongside examples from the artist’s beginnings: her mesmerizing and intimate drawings, her early Infinity Net paintings which grow on a canvas like cell formations, and her surreal sculptural objects covered with strange growth formations. ![]() This major exhibition examines the contemporary Japanese artist’s significant 65-year career and contextualizes the notion of infinite expansion and accumulation in her work, culminating in her visually stunning Infinity Mirror Rooms. Infinity is a difficult concept to grasp, but it is easy to contemplate when you step inside one of artist Yayoi Kusama’s iconic Infinity Mirror Rooms in the new exhibition Yayoi Kusama: Infinity Mirrors.
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